Passionate about lighting design and Berlin's vibrant nightlife, I am seeking to work as a club technician or assistant. During my master's in engineering, I had the opportunity to explore sound synthesis while also gaining professional experience as a light designer.
Projects
Concept K
[Presentation of Concept K: what it is, where it operates, what kind of events.]
[Your role: lighting design, programming, operation, etc., and the tools you used.]
Parallaxe
[Presentation of Parallaxe: what it is, where it operates, what kind of events.]
[Your role: lighting design, programming, operation, etc., and the tools you used.]
SBCS
SBCS is a student association in Paris dedicated to organizing events ranging from student parties to full-scale raves. With a material inventory valued at approximately €500,000, SBCS has the capability to rig stages from start to finish, handling everything from design to technical execution.
During my time with SBCS, I served as the lead lighting designer and technician. My responsibilities included conceptualizing and designing lighting setups, installing the equipment, and managing the lighting during events.
I primarily worked with the MA2 Ultra-Light and MA1 lighting consoles. For larger stages, I occasionally operated full-size MA2/3 consoles. I programmed dynamic animations with our scenes for events and operated scenographies during the parties.
Our equipment includes:
- ~30 beam moving heads (Elation 5R, Martin Rush MH3/MH4, Evolite 2R)
- 2 IVL Squares by Minuit Une
- 6 Clay Paky K20
- Assorted washes, blinders, strobes, and smoke machines
You can find below some pictures and videos of those in action.
Studio Apelbaum
Jonathan Apelbaum is a French, Berlin-based artist. He creates large-scale oil paintings that he pairs with LED panels in order to create immersive experiences. Jonathan is deeply rooted in Berlin's queer art scene and his work is often displayed in clubs and galleries around the city.
During my collaboration with Jonathan, I worked on the software he uses to drive his LED panels, and helped him design configurations of his paintings for events and parties. I also designed many of the light shaders used during his performances.
This work is deeply connected to music, as we built sound-responsive visuals: I designed visuals that receive OSC signals as inputs and evolve during parties and performances.
